ETHANA AND GILGAMESH
One of the oldest forms of folk stories relates to the wanderings of a hero in distant regions. He may set forth in search of a fair lady who has been taken captive, or to obtain a magic herb or stone to relieve a sufferer, to cure diseases, and to prolong life. Invariably he is a slayer of dragons and other monsters. A friendly spirit, or a group of spirits, may assist the hero, who acts according to the advice given him by a "wise woman", a magician, or a god. The spirits are usually wild beasts or birds--the "fates" of immemorial folk belief--and they may either carry the hero on their backs, instruct him from time to time, or come to his aid when called upon.
When a great national hero appealed by reason of his achievements to the imagination of a people, all the floating legends of antiquity were attached to his memory, and he became identified with gods and giants and knight-errants "old in story". In Scotland, for instance, the boulder-throwing giant of Eildon hills bears the name of Wallace, the Edinburgh giant of Arthur's Seat is called after an ancient Celtic king, and Thomas the Rhymer takes the place, in an Inverness fairy mound called Tom-na-hurich, of Finn (Fingal) as chief of the "Seven Sleepers". Similarly Napoleon sleeps in France and Skobeleff in Russia, as do also other heroes elsewhere. In Germany the myths of Thunor (Thor) were mingled with hazy traditions of Theodoric the Goth (Dietrich), while in Greece, Egypt, and Arabia, Alexander the Great absorbed a mass of legendary matter of great antiquity, and displaced in the memories of the people the heroes of other Ages, as those heroes had previously displaced the humanised spirits of fertility and growth who alternately battled fiercely against the demons of spring, made love, gorged and drank deep and went to sleep--the sleep of winter. Certain folk tales, and the folk beliefs on which they were based, seem to have been of hoary antiquity before the close of the Late Stone Age.
There are two great heroes of Babylonian fame who link with Perseus and Hercules, Sigurd and Siegfried, Dietrich and Finn-mac-Coul. These are Etana and Gilgamesh, two legendary kings who resemble Tammuz the Patriarch referred to by Berosus, a form of Tammuz the Sleeper of the Sumerian psalms. One journeys to the Nether World to obtain the Plant of Birth and the other to obtain the Plant of Life. The floating legends with which they were associated were utilised and developed by the priests, when engaged in the process of systematising and symbolising religious beliefs, with purpose to unfold the secrets of creation and the Otherworld.
Etana secures the assistance of a giant eagle who is an enemy of serpents like the Indian Garuda, half giant, half eagle. As Vishnu, the Indian god, rides on the back of Garuda, so does Ethana ride on the back of the Babylonian Eagle. In one fragmentary legend which was preserved in the tablet-library of Ashur-banipal, the Assyrian monarch, Ethana obtained the assistance of the Eagle to go in quest of the Plant of Birth. His wife was about to become a mother, and was accordingly in need of magical aid. A similar belief caused birth girdles of straw or serpent skins, and eagle stones found in eagles' nests, to be used in ancient Britain and elsewhere throughout Europe apparently from the earliest times.
On this or another occasion Ethana desired to ascend to highest heaven. He asked the Eagle to assist him, and the bird assented, saying: "Be glad, my friend. Let me bear thee to the highest heaven. Lay thy breast on mine and thine arms on my wings, and let my body be as thy body." Ethana did as the great bird requested him, and together they ascended towards the firmament. After a flight which extended over two hours, the Eagle asked Etana to gaze downwards. He did so, and beheld the ocean surrounding the earth, and the earth seemed like a mountainous island. The Eagle resumed its flight, and when another two hours had elapsed, it again asked Ethana to look downwards. Then the hero saw that the sea resembled a girdle which clasped the land. Two hours later Ethana found that he had been raised to a height from which the sea appeared to be no larger than a pond. By this time he had reached the heaven of Anu, Bel, and Ea, and found there rest and shelter.
Further on it is gathered Ethana is being carried still higher by the Eagle towards the heaven of Ishtar, "Queen of Heaven", the supreme mother goddess. Three times, at intervals of two hours, the Eagle asks Ethana to look downwards towards the shrinking earth. Then some disaster happens, for further onwards the broken tablet narrates that the Eagle is falling. Down and down eagle and man fall together until they strike the earth, and the Eagle's body is shattered
The eagle figures in various mythologies, and appears to have been at one time worshipped as the god or goddess of fertility, and storm and lightning, as the bringer of children, and the deity who carried souls to Hades. It was also the symbol of royalty, because the earthly ruler represented the controlling deity. Nin-Girsu, the god of Lagash, who was identified with Tammuz, was depicted as a lion-headed eagle. Zeus, the Greek sky and air god, was attended by an eagle, and may, at one time, have been simply an eagle. In Egypt the place of the eagle is taken by Nekhebit, the vulture goddess whom the Greeks identified with "Eileithyia, the goddess of birth; she was usually represented as a vulture hovering over the king".
Gilgamesh was associated with Erech, where he reigned as "the lord". There Ishtar had a great temple, but her worldly wealth had decreased. The fortifications of the city were crumbling, and for three years the Elamites besieged it. The gods had turned to flies and the winged bulls had become like mice. Men wailed like wild beasts and maidens moaned like doves. Ultimately the people prayed to the goddess Aruru to create a liberator. Bel, Shamash, and Ishtar also came to their aid.
Aruru heard the cries of her worshippers. She dipped her hands in water and then formed a warrior with clay. He was named Ea-bani, which signifies "Ea is my creator". It is possible, therefore, that an ancient myth of Eridu forms the basis of the narrative.
Ea-bani is depicted on the cylinder seals as a hairy man-monster resembling the god Pan. He ate grass with the gazelles and drank water with wild beasts, and he is compared to the corn god, which suggests that he was an early form of Tammuz, and of character somewhat resembling the Egyptian Bast, the half-bestial god of fertility. A hunter was sent out from Erech to search for the man-monster, and found him beside a stream in a savage place drinking with his associates, the wild animals. The description of Ea-bani recalls that of Nebuchadnezzar when he was stricken with madness.
He was driven from men, and did eat grass as oxen, and his body was wet with the dew of heaven, till his hairs were grown like eagles' feathers, and his nails like birds' claws."
The hunter had no desire to combat with Ea-bani, so he had him lured from the wilds by a beautiful woman. Love broke the spell which kept Ea-bani in his savage state, and the wild beasts fled from him. Then the temptress pleaded with him to go with her to Erech, where Anu and Ishtar had their temples, and the mighty Gilgamesh lived in his palace. Ea-bani, deserted by his bestial companions, felt lonely and desired human friend-ship. So he consented to accompany his bride. Having heard of Gilgamesh from the hunter, he proposed to test his strength in single combat, but Shamash, god of the sun, warned Ea-bani that he was the protector of Gilgamesh, who had been endowed with great knowledge by Bel and Anu and Ea. Gilgamesh was also counselled in a vision of night to receive Ea-bani as an ally.Ea-bani was not attracted by city life and desired to return to the wilds, but Shamash prevailed upon him to remain as the friend of Gilgamesh, promising that he would be greatly honoured and exalted to high rank.
The two heroes became close friends, they are found to be setting forth to wage war against Chumbaba, the King of Elam. Their journey was long and perilous. In time they entered a thick forest, and wondered greatly at the numerous and lofty cedars. They saw the great road which the king had caused to be made, the high mountain, and the temple of the god. Beautiful were the trees about the mountain, and there were many shady retreats that were fragrant and alluring.
Gilgamesh and Ea-bani appear to have become prosperous and happy. But in the hour of triumph a shadow falls. Gilgamesh is robed in royal splendour and wears his dazzling crown. He is admired by all men, but suddenly it becomes known that the goddess Ishtar has been stricken with love for him. She "loved him with that love which was his doom". Those who are loved by celestials or demons become, in folk tales, melancholy wanderers and "night wailers". The "wretched wight" in Keats' "La Belle Dame The goddess Ishtar appeared as "La Belle Dame Sans Merci" before Gilgamesh and addressed him tenderly, saying: "Come, O Gilgamesh, and be my consort. Gift thy strength unto me. Be thou my husband and I will be thy bride. Thou shalt have a chariot of gold and lapis lazuli with golden wheels and gem-adorned. Thy steeds shall be fair and white and powerful. Into my dwelling thou shalt come amidst the fragrant cedars. Every king and every prince will bow down before thee, O Gilgamesh, to kiss thy feet, and all people will become subject unto thee."
Gilgamesh feared the fate which would attend him as the lover of Ishtar, and made answer saying: "To what husband hast thou ever remained faithful? Each year Tammuz, the lover of thy youth, is caused by thee to weep. Thou didst love the Allala bird and then broke his wings, and he moans in the woods crying, 'O my wings!' Thou didst love the lion and then snared him. Thou didst love the horse, and then laid harness on him and made him gallop half a hundred miles so that he suffered great distress, and thou didst oppress his mother Silili. Thou didst love a shepherd who sacrificed kids unto thee, and then thou didst smite him so that he became a jackal (or leopard); his own herd boy drove him away and his dogs rent him in pieces. Thou didst love Ishullanu, the gardener of Anu, who made offerings unto thee, and then smote him so that he was unable to move. Alas! if thou wouldst love me, my fate would be like unto the fates of those on whom thou hast laid affliction."
Ishtar's heart was filled with wrath when she heard the words which Gilgamesh had spoken, and she prevailed upon her father Anu to create a fierce bull which she sent against the lord of Erech.
This monster, however, was slain by Gilgamesh and Ea-bani, but their triumph was short lived. Ishtar cursed Gilgamesh. Ea-bani then defied her and threatened to deal with her as he had dealt with the bull, with the result that he was cursed by the goddess also.
Gilgamesh dedicated the horns of the bull to Shamash and returned with his friend to Erech, where they were received with great rejoicings. A festival was held, and afterwards the heroes lay down to sleep. Then Ea-bani dreamt a dream of ill omen. He met his death soon afterwards, apparently in a battle, and Gilgamesh lamented
Merci" is a typical example.
over him. From the surviving fragments of the narrative it would appear that Gilgamesh resolved to undertake a journey, for he had been stricken by disease. He wept and cried out, "Oh! let me not die like Ea-bani, for death is fearful. I will seek the aid of mine ancestor, Pir-napishtim"--the Babylonian Noah, who was believed to be dwelling on an island which corresponds to the Greek "Island of the Blessed". The Babylonian island lay in the ocean of the Nether World.
It seems that Gilgamesh not only hoped to obtain the Water of Life and the Plant of Life to cure his own disease, but also to restore to life his dead friend, Ea-bani, whom he loved.
Gilgamesh set out on his journey and in time reached a mountain chasm. Gazing on the rugged heights, he beheld fierce lions and his heart trembled. Then he cried upon the moon god, who took pity upon him, and under divine protection the hero pressed onward. He crossed the rocky range and then found himself confronted by the tremendous mountain of Mashi--"Sunset hill", which divided the land of the living from the western land of the dead. The mountain peak rose to heaven, and its foundations were in Aralu, the Underworld. A dark tunnel pierced it and could be entered through a door, but the door was shut and on either side were two monsters of horrible aspect--the gigantic "scorpion man" and his wife, whose heads reached to the clouds. When Gilgamesh beheld them he swooned with terror. But they did him no harm, perceiving that he was a son of a god and had a body like a god.
When Gilgamesh revived, he realised that the monsters regarded him with eyes of sympathy. Addressing the scorpion giant, he told that he desired to visit his ancestor, Pir-napishtim, who sat in the council of the gods and had divine attributes. The giant warned him of the dangers which he would encounter, saying that the mountain passage was twelve miles long and beamless and black. Gilgamesh, however, resolved to encounter any peril, for he was no longer afraid, and he was allowed to go forward. So he entered through the monster-guarded mountain door and plunged into thick unbroken darkness. For twice twelve hours he groped blindly onward, until he saw a ray of light. Quickening his steps, he then escaped from the dreadful tunnel and once more rejoiced in the rays of the sun. He found himself in an enchanted garden, and in the midst of it he saw a divine and beautiful tree towards which he hastened. On its gleaming branches hung clusters of precious stones and its leaves were of lapis lazuli. His eyes were dazzled, but he did not linger there. Passing many other wonderful trees, he came to a shoreland, and he knew that he was drawing nigh to the Sea of Death. The country which he entered was ruled over by the sea lady whose name was Sabitu. When she saw the pilgrim drawing nigh, she entered her palace and shut the door.
Gilgamesh called out requesting that he should be allowed to enter, and mingled his entreaties with threats to break open the doorSo Gilgamesh and Arad Ea went on their way together, nor paused until they came to a well of pure water. The hero stooped down to draw water. But while he was thus engaged that demon, the Earth Lion, crept forth as a serpent, and, seizing the magic plant of life, carried it away. Stricken with terror, Gilgamesh uttered a curse. Then he sat down and wept bitterly, and the tears streamed over his face. To Arad Ea he spake, saying: "Why has my health been restored to me? Why should I rejoice because that I live? The benefit which I should have derived for myself has now fallen to the Earth Lion."
The two travellers then resumed their journey, performing religious acts from time to time; chanting dirges and holding feasts for the dead, and at length Gilgamesh returned to Erech. He found that the city walls were crumbling, and he spake regarding the ceremonies which had been performed while yet he was in a far-distant country.
During the days which followed Gilgamesh sorrowed for his lost friend Ea-bani, whose spirit was in the Underworld, the captive of the spirits of death. "Thou canst not draw thy bow now," he cried, "nor raise the battle shout. Thou canst not kiss the woman thou hast loved; thou canst not kiss the child thou hast loved, nor canst thou smite those whom thou hast hated."
In vain Gilgamesh appealed to his mother goddess to restore Ea-bani to him. Then he turned to the gods, and Ea heard him. Thereafter Nergal, god of death, caused the grave to yawn, and the spirit of Ea-bani arose like a wind gust.
Gilgamesh, still dreading death, spoke to the ghost of his friend, saying: "Tell me, my friend, O tell me regarding the land in which thou dost dwell."
Ea-bani made answer sorrowfully: "Alas! I cannot tell thee, my friend. If I were to tell thee all, thou wouldst sit down and weep."
Said Gilgamesh: "Let me sit down and weep, but tell me regarding the land of spirits."
Ea-bani described the land where ill-doers were punished, where the young were like the old, where the worm devoured, and dust covered all. But the state of the warrior who had been given burial was better than that of the man who had not been buried, and had no one to lament or care for him. "He who hath been slain in battle," the ghost said, "reposeth on a couch drinking pure water--one slain in battle as thou hast seen and I have seen. His head is supported by his parents: beside him sits his wife. His spirit doth not haunt the earth. But the spirit of that man whose corpse has been left unburied and uncared for, rests not, but prowls through the streets eating scraps of food, the leavings of the feast, and drinking the dregs of vessels."
So ends the story of Gilgamesh in the form which survives to us.
Nely L. Friedrich
12-09-24
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